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Division: A Collection of Science Fiction Fairytales, by Lee S. Hawke
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A man awakens as a kamikaze soldier in the new War on Disease. A schoolgirl tries to escape her demons through virtual reality. A spaceship engineer mourns the loss of her daughter. Plunge into the cybernetic woods with DIVISION in seven searing new fairytales for the digital generation, brought to life by Hawke’s trademark haunting style.
“If you like sci fi or dystopian work, you will enjoy DIVISION. All the stories have characters that you can sympathize with, and situations that will ring true. Excellent job by Lee S. Hawke on this collection, and I’d love to see more.”
~ Michael Nail at gimmethatbook.com
“Lee has an incredible story-telling ability and the words he uses and the images he can make you see as he guides you through each story is just amazing. Each one is different and unique, so you never know what you’re going to read next.”
~ A Drop of Ink Reviews
“Lee S. Hawke simultaneously treads the literary paths of The Brothers Grimm and Bradbury to create seven new fairytales for the digital generation.”
~ Carey R, Amazon Reviewer
“I love science fiction, adore short stories, and have always liked the dark side of fairy tales. This collection of stories is all of those things.”
~ Debra Wilson, Amazon Reviewer
- Sales Rank: #879989 in eBooks
- Published on: 2015-01-16
- Released on: 2015-01-16
- Format: Kindle eBook
Review
"The fairy tale is a peculiar genre: today we usually think of it asquaint, storybook fodder for small children. In fact, most of the fairytales we know best grew out of a specific body of speculative literature that developed across the seventeenth and eighteenth centuries inEurope. Like science fiction, the fairy tale form could be used todiscuss and even mock the politics and social figures of the day. Lee S. Hawke's collection of what he calls science fiction fairy tales, Division, is very much in the spirit of that old tradition, and each of the seven short stories in this slim volume shines and burns with too sharpobservations of our contemporary world."
~ Cait Coker - Future Fires Magazine
About the Author
Lee S. Hawke fled the real world at the tender age of five, when she learned how to read. Since then, she’s been spotted in several fictional dimensions, many of them ruled by the dream god Neil Gaiman and the legendary Professor Rowling. Say hi to Lee on Twitter, Goodreads, Google+, or the Facebook NaNoWriMo Group. And if you want more musings on psychology, fairy tales, and science, you can find Lee writing and dreaming on www.iwanthumanitytoreachthestars.com.
Most helpful customer reviews
5 of 6 people found the following review helpful.
Short, Futuristic Fairy Tales with Dystopian flavor.
By Pandorasecho
I was lucky enough to be able to get a free copy of Division, in exchange for being a beta-reader. Often agreeing to read a book in draft form means that you will be reading rough, unpolished work. In this case it meant that all my expectations were shattered. I wasn't reading the work of a beginning writer, but a collection of short stories that could be taught in a literature class at any English program. Without being too effusive, I still have to say that reading this collection made me very envious. I wish I could have written these stories. The experience of opening one of these short stories remind me of first discovering some of the stories of Ray Bradbury or Douglass Adams. They are called Fairy Tales, and they have that feel, but only like the old, handed down orally, scary evil wolf, and deadly consequences tales. There is not a Disney ending here. In these stories you meet current villains, like ebola, and you meet fear and the dark side, but you also feel hope and are compelled to think, long after the book is closed.
True I got the ebook for free, but I want this book on my shelf and will be ordering it in paperback, come payday.
1 of 1 people found the following review helpful.
Enough of an odd twist to make you stop and think..
By Michael Nail for gimmethatbook
This review originally appeared on my blog at www.gimmethatbook.com.
Short stories are always good to read in between longer books, because they serve as a palate cleanser and give you things to think about in a small package. DIVISION was awesome to read because the sci-fi wasn’t overly technical; the stories were all basically dystopian and mostly believable; and there was just enough of an odd twist to make you take a breath and consider the possibilities of what you just read.
The twist is not always glaringly obvious–you need to read the story (or parts of it) over again to grasp what Hawke is saying. In the story about the boy trying to get beyond the giant gray Wall that surrounds his town, the descriptions of the road become more and more detailed, until you realize what, exactly, the road is made of. That’s when you get that chill in your heart and know you are dealing with a writer with talent. Short stories are hard to create–you have to have a hook, interesting characters, and a plot that wraps up just as things get going. Hawke has constructed some fine work here, for sure.
Perhaps my favorite one was the story about the forced interaction between the data analyst and the software coder. Appropriately dystopian and government controlled, I thought it would be a lot darker than it turned out to be–but still satisfying nonetheless. Maybe I liked it because it was the most benign one of them all. Remember what I said: odd twists and hints of darker things that sometimes lurk in the basement, or in the far reaches of our mind, where we don’t want to go.
If you like sci fi or dystopian work, you will enjoy DIVISION. All the stories have characters that you can sympathize with, and situations that will ring true. Excellent job by Lee S. Hawke on this collection, and I’d love to see more.
Want your own copy? You can pick it up here.
1 of 1 people found the following review helpful.
Hope amidst ruin: Division's heroes are real humans, not folklore
By Christopher Chen
I’ll admit I wonder about the subtitle. To me, fairy tales epitomise oral storytelling tradition, trading in archetypical characters and grand, good versus evil dramas. This is not so much a failing as a characteristic of the medium: simple, powerful imagery is memorable, and thus it is this that survives generations of retelling. Division, on the other hand, exemplifies written word storytelling. Its characters are deep and recognisably human, its thematic explorations nuanced enough to defy Aesopian one-liners. As Hawke puts it, it’s “not Cinderella in Space”, it’s fiction which only resembles fairy tales insofar as it compels the reader to experience childlike wonder, insofar as the themes are timeless, which could be said of many a great work of fiction. It’s firmly a creature of its own medium, and it’s all the better for it.
The Soldier sets the tone for the the anthology, grim but hopeful, speculative in its setting but timeless in its themes. The enemies of this way are pestilence, disease; the eponymous soldiers, people blessed with supercharged immune systems that might hold the key to developing cures. Hawke takes this clinical presence and grounds it in the personal, the protagonist's torture as his body is razed as a battlefield bringing home the direness of this war far better than any bombastic, globe-spanning treatment of the same could.
Please Connect asks us what first love means, absent the social narratives that colour our perceptions of what romance and attraction “are” or “should be”. The protagonist, conditioned by a society that has obsoleted face-to-face interaction, sees even his sanitised courtship with an anthropological eye that Hawke impossibly transmutes into a warmer parlance. There is a raw eroticism in the language here, drawn from where it has always lain: in the quickening of a pulse, in the wetness of a breath.
Dissimilation and The Grey Wall both hark upon the themes of unreality and altered perception (the former with its Inception-like layerings of non-worlds; the latter with an expressly unreliable narrator whose doublethink allows Hawke a novel angle on magical realism). Both these stories ask something about when and how it is better to live within fantasy than reality, the question left deliberately ambiguous despite the characters’ own certainty. Meanwhile, Lemuria is set in the midst of an apocalyptic alien invasion where anyone who sees the monsters, dies, an incursion into psychological horror that is overshadowed by a late-game twist which all too briefly asks us what rated we would rather endure than death.
Beauty is perhaps the most explicitly political of the lot, a disillusioned neo-“plastic surgeon” ruminating on the homogeneity of his work:
“He’d been a young girl then, and he still remembered the first advertisements. Transcend age. Transcend race. Transcend gender. But since he’d stepped out of medical school, all he’d ever done was fulfil the same three basic templates, again and again and again. The possibility of infinite variation had led only to convergence.”
It’s a powerful meditation on the moral dangers of fashions, and on the beauty of the different and of individual expression.
The final story, Division, is about two women's grief following the death of their daughter. It's told through the eyes of one mother, Diyani, a passionate mechanic whose affinity is for her work, not people. Her heartbreak is raw on the page, her anger twisting her away from the world and, especially, her partner, the physical space of their shared bed reifying the deterioration of their relationship.
When the healing finally begins, it's faltering and unsure, the stuff of human beings, not fairy tales. Yet it feels like a burden being lifted, all the same. There Division closes, metaphor, story, and anthology: peering into what it is that makes us human, and in spite (because?) of all our faults, still finding magic.
(Disclaimer: this review is based on a free review copy provided by the author.)
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